There’s a line in the movie Jurassic Park, spoken by Dr. Ian Malcom, that I will always remember: “your scientists were so preoccupied with whether or not they could, they didn’t start to think if they should.” This line is the perfect summary for so many Faustian tales. It’s definitely true for Silvia Moreno-Garcia’s latest amazing novel, The Daughter of Doctor Moreau, inspired by another classic Faustian story The Island of Doctor Moreau. But where those stories focus on the Faust character and his moral dilemmas, Moreno-Garcia puts the emphasis squarely on the fallout of a scientist’s careless meddling with the natural order.
Jules Verne’s island, in this version, is a remote corner of the Yucatán peninsula. It is isolated by dense jungle and fears of Mayans rebelling against oppressive landowners. The only contact the eponymous daughter, Carlota Moreau, and her father and their companions have with the outside world are occasional visits from the man who funds Doctor Moreau’s hacienda and his research. We meet Carlota just before another visit from Señor Lizalde, who has arrived with a new assistant and another exhortation for Doctor Moreau to give him something he can actually use to recoup his investment. The new assistant, Montgomery (and our second narrator, after Carlota), was hired to keep an eye on the doctor as much as anything else.
Up until this point, if you didn’t know about The Island of Doctor Moreau, it would be easy to ignore the hints that something very strange is going on at the Moreau’s hacienda. There are hints that, apart from the Moreaus and their housekeeper, the other inhabitants are not entirely human. We only learn the truth from Montgomery’s reaction when he meets one of the sentient animal hybrids the doctor has created. It seems as though Doctor Moreau has been tinkering with genetics, although he never calls it that. His creations are not healthy. They’re in pain. They have short lives. All Doctor Moreau really cares about is perfecting his methods, so he doesn’t have much to do with the hybrids he’s created so far. Carlota does the caring for him.
The Daughter of Doctor Moreau bounces back and forth between Carlota and Montgomery narrating events. From Carlota, we find a deep love of others and the hacienda. She worries about everyone but is stymied by her father’s controlling ways; she can’t do much more than try to keep the show running while he works in his lab. On Montgomery’s side, we get a lot of confusion over what on earth is happening. He eventually settles in. He cares, too, but his prickly personality doesn’t let him show it. Through their eyes we see events start to escalate. Señor Lizalde wants his money and the hybrids, promised to him as workers by Moreau. His son, who turns up following rumors of Mayan revels, suddenly decides that he wants the beautiful Carlota. Before long, it’s impossible for anyone to hide away at the hacienda.
This summary isn’t capturing the sweltering, hypnotic atmosphere of The Daughter of Doctor Moreau. Carlota in particular is an amazing narrator. I loved spending time with her, even if she shares her father’s stubbornness and can be just as prickly as Montgomery at times. In addition to watching events through her eyes, we see Carlota grow up from a sheltered child to a fierce young woman. She struggles against her conditioning to obey, not make a fuss, and her sense of duty towards others. And the best part of watching her grow is seeing Carlota find hidden, possibly animal, depths.
I’m still not describing this fantastic book correctly. Go read it. Trust that Moreno-Garcia has delivered another brilliant, engrossing, psychologically deep, beautifully detailed story. This book is one of her best.
I received a free copy of this book from the publisher via NetGalley, for review consideration.