A Flavorful Menu of Books

Genre doesn’t always capture what to expect from a book. Sometimes, some books have something ineffable about them, like a flavor. So, based on the popularity of the Netflix series, based on the book by Samin Nosrat, I offer a menu of salty, fatty, acidic, and hot books. (This also gives me a chance to recommend books that I really liked that I don’t often get a chance to talk about.)

Salt: These books are books with an arch sense of humor, books that are more likely to make the corner of your mouth smirk than make you laugh out loud. Salty books are witty, that say something we’ve all been thinking but don’t want to say because it might be a little too mean.

• Dear Committee Members, by Julie Schumacher
• The Girl in Green, by Derek B. Miller
• The Refrigerator Monologues, by Catherynne Valente
• Time’s Arrow, by Martin Amis (This one is possibly the saltiest thing I’ve ever read)

Fat: These books are unctuous, rich. They make you feel like you’ve had a full meal and, possibly, leave you with a book hangover.

• Uprooted, by Naomi Novik
• Once Upon a River, by Diane Setterfield
• Reincarnation Blues, by Michael Poore

Acid: These books burn. They’re not for everyone, but they are the kind of books that Kafka advocated to break through our frozen, internal seas. (It turns out I read a lot of this kind of book.)

• The Far Field, by Madhuri Vijay
• The Tusk that Did the Damage, by Tania James
• Ruby, by Cynthia Bond
• A Constellation of Vital Phenomena, by Anthony Marra

Heat: These books warm us up, comfort us, and leave us with a cozy glow inside.

• The Nutmeg Tree, by Margery Sharp
• Happiness, by Aminatta Forna
• These is My Words, by Nancy E. Turner
• Spoonbenders, by Daryl Gregory

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The Book Sommelier Rides Again (Part V)

It’s time again for the Book Sommelier! Here are some pairings I’ve thought up since the last Sommelier post.

In the House in the Dark of the Woods, by Laird Hunt, and The Hazel Wood, by Melissa Albert

We tend to think of folklore as pretty well established (though pedants might quibble about urban legends). When it comes to fairy tales, we can all pretty much recognize the archetype and predict what will happen by the end of the story. But in these two novels, the authors give us background stories that have the feel of folklore but have new details. These new details almost stole my attention away from the actual plot. They certainly had me wishing for more.

Insurrecto, by Gina Apostal, and Night Film, by Marisha Pessl

Both of these novels feature someone trying to solve the mystery of a film maker. The details of setting are different, of course, but the characters end up on a journey that resembles the genre the film maker used. Both film makers worked in horror, so the protagonists of these novels end up on strange and sometimes scary journeys. These two novels also explore revisionism. With each new clue, the protagonists have to find a way to assimilate information that upsets everything they thought they new. For readers who like to get a story plus an opportunity to think about how stories and reputations are constructions. Also, they’ve both got plenty of tension to keep the deep thoughts from slowing things down.

The Kinship of Secrets, by Eugenia Kim, and The Light Between Oceans, by M.L. Stedman

In both of these novels, historical events have conspired to separate a child from its parents. The separations have the characters—and us—wrestling with the ethical and emotional repercussions for years. The novels approach these repercussions from different angles. In The Light Between Oceans, the protagonist frets in the middle of a terrible situation where two women have almost equal claims to a found child. In The Kinship of Secrets, the protagonist is a child who as left behind when her parents fled the beginning of a war. The more she bonds with her relatives, the less she wants to reunite with her parents. And yet, she can’t help but wonder why she was left behind and what her life might have been like if her parents had taken her along.

Bon appetit!

 

Son of the Book Sommelier (Part IV)

The Book Sommelier is back! Here are some recommended pairings for your delectation:

Creatures of Will and Temper, by Molly Tanzer and What Should be Wild, by Julia Fine 

Even though they are quite different, I saw a common theme in these books. Humans, especially women, are trained away from sensuality—by which I mean giving freedom to their senses and seeking out pleasure or fully exploring their connections to the natural world. We are warned away from these joys with terrible consequences. In these two books, we see temptations and warnings both. At the end of them, we are left to recalibrate our own measure of how much freedom we should give ourselves.

Amatka, by Karin Tidbeck, and The Question of Red, by Laksmi Pamuntjak

Both of these novels explore the idea of whether or not a name means destiny. Amatka is literal about this, The Question of Red more philosophical. I am fascinated by language. It’s the idea that random collections of syllables can contain so much meaning only because the speakers of a particular language decided that they should. Reading the pair of these books gave me a chance to see what might happen when too much meaning is invested in those random syllables. This paragraph might sound too academic, but these two books are great reads.

I Met a Traveller in an Antique Land, by Connie Willis, and Too Loud a Solitude, by Bohumil Hrabal

Being a terminal bookworm and a librarian, I am drawn to books about books. These two books definitely fit the bill because they book look at what happens when there are too many books. (Fellow bookworms, stop clutching your pearls! This does happen.) In I Met a Traveller in an Antique Land, booky people try desperately to save the last copies of books before they’re lost forever. In Too Loud a Solitude, a baler struggles against the tide of discarded books. On the one hand, it’s true that libraries have no place for books that are damaged, obsolete, or outside of the mission of the library. On the other, it’s wrenching to get rid of books. Throwing away a book feels like vandalism. These two books share a passion for the written word and a quixotic quest to save what others have tossed out.

The Revenge of the Book Sommelier (Part III)

A have some new book pairing suggestions for you, gentle readers. Two of the pairings are non-fiction/fiction duos. The non-fiction gives us the reality, while the fiction takes us into the minds of protagonists. By reading both, I think, we get a richer sense of history than we might if we read just non-fiction or fiction. The other pairing is for readers who like their mysteries erudite.

For your reading pleasure, I recommend:

The Narrow Road to the Deep North, by Richard Flanagan, and Man’s Search for Meaning, by Viktor Frankl

Man’s Search for Meaning is a seminal book about the Holocaust, written by Frankl who survived being interned at Buchenwald and Auschwitz. His book discusses how he and other survivors lived long enough to see the end of the war. The Narrow Road to the Deep North is a novel that follows a fictional survivor of the Japanese prisoner-of-war camps in Thailand. It may seem callous to compare the plight of actual Holocaust survivors and victims to fictional characters, but what I like about this combination is that the novel takes us inside the head of a man who lived through extreme deprivation, disease, and cruel guards who would kill their prisoners at the drop of a hat while the non-fiction book provides psychological guidance. The Narrow Road to the Deep North resonated strongly with what I remembered from Man’s Search for Meaning.

The Readymade Thief, by August Rose, and Mr. Penumbra’s 24-Hour Bookstore, by Robin Sloan

Both of these unusual thrillers revolve around works of art that may or may not have supernatural powers. In Mr. Penumbra’s 24-Hour Bookstore, the protagonists follow a trail of clues scattered through a strange series of books. In The Readymade Thief, the protagonist is in a race to figure out the secrets of one of Marcel Duchamps’ sculptures. Both novels are academic mysteries that just delighted me. I much prefer mysterious-cultural-work-that-could-change-everything novels when they don’t have anything to do with Christianity.

On the House, by Helen Maskew, and Damnation Island, by Stacy Horn

Like the first pairing in this post, these two novels work together because one is fiction and the other non-fiction. Damnation Island covers the history of Blackwell’s Island, New York, which housed a prison, an asylum, a hospital, a workhouse, and poorhouses. New York’s indigent population were shipped in hordes to Blackwell’s Island during the nineteenth and twentieth centuries. The statistics and events recounted in Damnation Island offer background for On the House, which takes place in workhouse in nineteenth century England. The novel brings the history to life and makes all those statistics even more affecting. I particularly like this pairing because I feel that the history of workhouses and how the poor were treated never comes up in history classes, at least until one gets to university. This is unfortunate because it is a piece of social history that I think we still haven’t found a way, as a society, to lift people up out of poverty.

 

The Book Sommelier Returns (Part II)

For your reading delectation, I present these book pairings:

Suite Française and A Country Road, A Tree

Both of these books at set in France in 1940, just after the Nazi invasion in June. Irène Némirovsky’s Suite Française is looks at different characters affected by the sudden coming of war, based on what happened to the author. Jo Baker’s A Country Road, A Tree, is also based on an author’s life. It tells Samuel Beckett’s wartime story as though he was a character in one of his own sparely written existentialist works. The fact that these books are based on real history makes them especially gripping reading.

The Execution of Noa P. Singleton and The Disappearance of Adèle Bedeau

These books might have been written just for me. They both explore the tension between the law and justice. The main characters in these novels are criminals. In The Execution of Noa P. Singleton, the eponymous character is on death row for murder, but there’s some question about whether she’s actually guilty. There’s a similar question about the protagonist in The Disappearance of Adèle Bedeau. Both characters end up punished for what they were accused of, and they both have criminal deeds in their background, but we are asked to ponder whether it’s just to be punished for the wrong crime.

Somebody at the Door and Murder on the Orient Express

I think of these books as opposite sides of the same coin. They have similar crimes at their heart: a man is murdered and there are a bunch of suspects, all with good motives for killing the man. There are also trains. While we learn who-done-it in Murder on the Orient Express, we never do in Somebody at the Door. Both novels are masterful explorations of the classic mystery. The murder itself is complex. Every clue might be genuine or a red herring. But the difference in the solutions (or the lack of solutions) makes one wonder about what might send someone over the edge to commit murder.

Book Pairings; Or, I play book sommelier

This post is inspired by Laura Sackton, who wrote about “When the Books You’re Reading Start Talking to Each Other.” In the last two years, I’ve read three serendipitous book pairings that I’d like to share with the group:

On Refugees: The Queue, by Basma Abdel Aziz, and Live from Cairo, by Ian Bassingthwaighte

Both of these books feature desperate people who are trying to leave Egypt (or a place like Egypt). The Queue gives us a Kafka-esque battle by locals against a determinedly ineffective government. Live from Cairo also features a frustrating bureaucracy, but from the perspective of outsiders who want to help but can’t. The inside/outside perspectives on refugees casts a critical light on a broken, inhumane system.

On Reincarnations: Reincarnation Blues, by Michael Poore, and The Trials of Solomon Parker, by Eric Scott Fischl

Both of these books feature two men who get the chance to remedy their mistakes. The idea is that they are supposed to learn from those mistakes and become better men, but they go in completely different directions. Reading them close together set me to thinking about questions of human nature, whether we really can learn from our mistakes, and what it means to be good.

On Hunger: A Square Meal, by Jane Ziegelman and Andrew Coe, and Red Famine, by Anna Applebaum

These two books cover contemporaneous periods of time, during extreme deprivation, yet show two extremely different government responses to hardship. In the United States, unregulated speculation caused a economic collapse. So many people were out of work that existing charity was swamped and (albeit reluctantly) the government finally stepped in to help. Meanwhile, in Soviet Ukraine, impossible grain policies lead to a man-made famine that killed millions. Aid was deliberately refused. These two books are stark, fascinating contrasts.

Does anyone else have any recommended book pairs?