In An Unrestored Woman, Shobha Rao tells a series of stories about characters that brush each others’ lives over the course of a century. Not only do characters from various stories meet, the plots share themes of love and betrayal, revenge and violence. The various stories, taken as a whole, offer different perspectives on what people are willing to do to each other to try and find their own happiness—and the prices they have to pay for their manipulations.
Some of the standout stories include:
“The Imperial Police” – Though several other stories feature downtrodden and abused women, this story struck me as the saddest one in the collection. Jenkins is a British officer in the Anglo-Indian police force just before the 1947 Partition (a pivotal event in many of the stories in An Unrestored Woman). He has been posted to the frontier town of Rawalpindi for behavior that becomes clear over the course of the story: Jenkins is attracted to men. He has fallen in love a few times in his life, but has never been able (or allowed) to express his feelings. In “The Imperial Police,” Jenkins accidentally causes the death of his latest object of affection in the growing sectarian violence in the city and now has to inform the man’s widow. As I read this story, I thought about what might have been for Jenkins if he’d lived in another time and another place.
“Such a Mighty River” – This might be my favorite story in the entire collection. Alok Debnath (who appears briefly in another story) is a retired man fading into Alzheimer’s. At 84, he’s making the most of what he has left—mostly the companionship of a woman he pays to spoon with him for a few hours. She serves as a reminder of Alok’s beloved wife. One day, Alok decides to go looking for the woman only to become lost in his memories of a day when his wife went missing early in their marriage. Time becomes a blur as Alok wanders the streets asking for his companion and his wife in turns. This is a moving story with a surprisingly violent ending.
“The Road to Mirpur Khas”- This story is a good example of what one can expect from most of the stories in An Unrestored Woman. The story begins with a disruption to the status quo. In the case of this story, it’s the Partition. Arya and her husband are headed for the orchards of Mirpur Khas, intending to work as pickers, before the unnamed husband’s naiveté means they are repeatedly robbed. The husband (and narrator) watches as his more practical wife becomes a prostitute to earn money. She grows more cynical as he comes to loathe himself. Their initial love for each other dies away because the husband emotionally betrayed his wife at a critical moment; he failed to fight for Arya when she needed him to.
The stories of An Unrestored Woman focus instead on emotional damage (which, for some reason, I can handle better than physical violence). And even though many of the stories are about betrayal and love, they offer different perspectives on what constitutes betrayal and how the victim of that betrayal can respond. The characters can either move on (as many of the female characters do) or let it destroy them (as many of the male characters do). This book is a grim testament to the motto “Keep Calm and Carry On.”
When I finished the collection, my honest reaction was “These stories could have been a lot more awful than they were.” I was relieved. I’ve read some terrifying, difficult stories this year. While An Unrestored Woman is not an easy read by any means, it is not as violent as it might have been.