Jennifer Finney Boylan’s Long Black Veil begins like many other “awful thing happens to a group of friends”stories, but it quickly becomes more complicated—and more affecting. We are told at the beginning that some of the friends will die. What we don’t know until much later is why everything happened the way it did. While we have the mystery to sort out, Finney Boylan also gives us a moving portrait of a trans woman who wrestles with the long shadow of her past.
Long Black Veil moves back and forth in time from 1980, when the awful thing happened, to the later 1980s to 2015. The awful thing is the death of one of the friends when they get locked inside the abandoned Eastern State Penitentiary. No body is found (not until 2015), so the friend is only missing officially. The night at the Penitentiary breaks up the friends, who drift through the next 35 years. The chapters change perspective from one friend to another, so we get to see how the death has arrested their development into adulthood. They can function, but it’s clear that none of them is living the life they wanted—with one exception.
The exception is Judith. Judith was born in a male body before transitioning in the late 1980s. She hasn’t told her husband or her adopted son anything about her past in the sixteen years they’ve been a family; the men have told her they don’t want to know. There are some small marital spats, but Judith is very much content with her life. To be honest, I was much more interested in her character than in some of the others because I wanted to see how Finney Boylan would depict someone who didn’t feel right in the body they were born in.
The mystery part of Long Black Veil gives some added tension to the whole, but I think I might have been happy with just Judith’s story on its own. That said, when the literary and mystery parts of the novel start to converge again at the end of the book, I liked how the narratives asked the same question in two different ways. The question, of course, is how do you make amends for the past? In Judith’s case, it was her initial disappearance and starting her life over without telling anyone. In the case of the rest of the characters, it’s owning up to what really happened to their friend that night at the Penitentiary.
On balance, I enjoyed reading Long Black Veil in spite of some clumsiness with the disparate genre elements. What made this book so engrossing was the psychological portrait of Judith as she becomes the person she always was on the inside.
I received a free copy of this book from NetGalley for review consideration. It will be released 11 April 2017.